Throw your mind back to the very first time you tried your little hand at writing. With the unfamiliar pen between your fingers and your tongue between your lips, you gave of your best, but unless you were a calligraphic child prodigy, the result was, well, nothing to write home about. It looked shaky and straggly and, in a word, messy. Yet it didn’t stop your parents from being touched by your scribbles.
Call me weird, but that’s how I too felt earlier this week when I visited the Epigraphic Museum in Rome’s Baths of Diocletian. As its name and location suggest, it focuses on inscriptions from Antiquity, predominantly in Latin. Many of them look vaguely familiar: for the last five centuries or so, inscriptions in European and New World monuments have tended to emulate the Classical example. If you wonder what I’m talking about, open a new document in Word, choose the Times New Roman typeface and write a line in capitals. Continue reading