Welcome back to Indo-Europe

PoolsIt’s happened again. In spite of good resolutions, and before even making a full recovery from the previous bout, I’ve contracted a new language.

For over two years, I suffered from Vietnamese. That was for – my idea of – a good cause: the writing of a book, Babel. The experience was instructive and fascinating, but not rewarding in any practical sense. In reading, I never got beyond picture books for toddlers. My chats in Vietnamese were few, and it’s probably an overstatement to call them chats – or Vietnamese. Early last year, I beat the virus and began my recovery.

A few months later, the Polish publisher of Babel invited me to Warsaw and Cracow for some interviews. I went, I liked the places, I loved the people I met and I discovered how near they all are: if I walk out my door at 7 in the morning, I can set foot on a railway platform at Warszawa Centralna or Kraków Główny the very same evening, and still have time for a drink. How was I to resist these temptations? Once more, the language learning virus overcame my weak immune system, aka better judgement.

They say that Polish is a hard nut to crack. Or rather: we say so, the speakers of Western European languages. And it’s not a groundless claim either. Polish nouns have three genders (sexes that is, but without the organs or the fun). So does German, but German has only four cases, whereas Polish has almost twice as many: seven. And while it may not have as many verbal forms as French or Spanish, the catch is that no single verb can be said to be entirely regular – they always have something unpredictable about them. Call it a mystique. Or, if you’re more like me, call it fuckedupness obnoxiousness. Continue reading

Ten reasons to study Vietnamese (and 5 to regret it)

Last year, my friend Huyền and I gave a presentation at the Polyglot Conference in Ljubljana titled ’10 Reasons to Study Vietnamese (And 5 to Regret it)’. Since she couldn’t come to Europe at the time, her contribution was pre-recorded.

The whole talk, including the Q&A, has now been published. The response of the audience can’t be heard, making the thing a bit eerie, like a movie without its soundtrack. Anyway, here it is: